God is pretty vindictive in his absence here, though anyone familiar with Aronofsky’s work knows that the writer/director isn’t about to include a big spectral bearded chap explaining to Noah the difference between Sumerian cubits and Egyptian royal cubits.
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The tale is narrated by a trio of traditional Indian shadow puppets, who bicker casually about the specifics of events, and add their own modern-day interpretations. Interspersed with the retelling is the rather autobiographical tale of Nina and her partner, the latter of which travels to India to leave her behind.
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It’s a stunning film to witness. The cinematography is fantastic, the locations are breathtaking, and the costumes are exquisite. The film crackles with a reality that’s sorely missing from most big budget, grandiose features of a similar ilk.
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Big budget epics aren’t really my thing. That’s why I’ll always prefer a Rob Roy to a Braveheart, and a King Arthur to a Troy. I prefer films that have a narrower focus and of course brevity is the soul Continue reading Troy