Director Shinichiro Watanabe, of Cowboy Bebop, Samurai Champloo and Kids on the Slope fame, directs Terror in Resonance (Zankyō no Teroru), possibly one of the best-looking anime TV series I’ve ever seen.
Set in present day Tokyo, Terror in Resonance is about two young men, Nine (Kaito Ishikawa) and Twelve (Sōma Saitō) who have committed to conducting acts of terror on the unsuspecting Japanese public. Through a chance meeting, socially isolated schoolgirl Lisa Mishima (Atsumi Tanezaki) is drawn into their world. On the other side we have the police trying to track the terrorists down before their next attack, led by the enigmatic Kenjirō Shibazaki (Shunsuke Sakuya).
The series shares some elements in common with both Death Note (Desu Nōto) and Akira, however the plot is primarily set in the real world. It asks us to sympathise with Twelve and Nine, but herein lies the first problem. Presumably to make it easier to side with them, the show is at pains to point out that no one dies at the scene of the several terrorist attacks taken out. Time and again statistics like, “37 injured, no fatalities” are bandied about, and it just feels cheap. Blowing up skyscrapers? Come on! The brilliance of V for Vendetta was its willingness not to shy away from the deadly outcome of its ‘hero’s’ actions; Terror in Resonance’s attempts to ensure we like its characters hurt the show’s credibility.
Then there’s the fact that there is a grant total of two female characters. Two. And Lisa apparently has no useful skills whatsoever. She turns up, cries, wears thigh high socks and needs rescuing a lot. Forget about the Bechdel test; according to Terror in Resonance, the entire police force is male. Whenever the show cuts to police HQ, we see a good 60 officers, none of them female.
I really wanted to love this show. Believe me, this features some of the most incredibly constructed scenes in the history of anime. At least once per episode, I was in awe of the skill on display. Thrilling, moving and shocking, Watanabe’s skill cannot be denied – and it looks amazing on Blu-ray. It’s just such a pity the story itself isn’t up to scratch. I was never bored, and the pacing was perfect. It’s just that once the curtain is pulled back and we’re told what’s behind it all, you can’t help but think, “Oh, is that really it?”