Ghostbusters
Feig’s film is a little bit scary, a little bit funny, with some great ghost effects. In essence, it’s much like the original film for me.
Rating: Hoopla Factor: Continue reading Ghostbusters
Feig’s film is a little bit scary, a little bit funny, with some great ghost effects. In essence, it’s much like the original film for me.
Rating: Hoopla Factor: Continue reading Ghostbusters
The film looks stunning, and it’s clear that Waititi can potentially bring something unique to the MCU, should the powers that be let him.
Rating: Hoopla Factor: Continue reading Hunt for the Wilderpeople
From a screenwriting standpoint, it’s excellent. No one gets structure and dialogue like Black, and the pacing is spot on.
Rating: Hoopla Factor: Continue reading The Nice Guys
Think of it as a kind of North American gothic fairy-tale meets European folklore, much like the work of Washington Irving.
Rating: Hoopla Factor: Continue reading Over the Garden Wall
Prejudice – in all its forms – is the concept under the microscope here. And the screenplay to Zootopia is very, very good at examining said prejudice from every angle.
Rating: Hoopla Factor: Continue reading Zootopia
How to Be Single isn’t offensive in its approach, it’s just that the moral of the story isn’t entirely clear.
Rating: Hoopla Factor: Continue reading How to Be Single
Do people come to a Deadpool movie wanting to care about the characters? I’m not sure…
Rating: Hoopla Factor: Continue reading Deadpool
Anomalisa was created with possibly the best stop motion animation I’ve ever seen.
Rating: Hoopla Factor: Continue reading Anomalisa
If you ever needed proof that I’m not that big a Tarantino fan, consider this: I only own one of his films, and it’s Death Proof.
Rating: Hoopla Factor: Continue reading The Hateful Eight
Unlike many of Judd Apatow’s comedies, the film never overstays its welcome, nor does it feel like we’re simply watching extended unscripted improvisation play out.
Rating: Hoopla Factor: Continue reading Sisters