Justice League is clearly two things. First off, it’s blatantly the product of divergent directors. And secondly, it’s a clear course correction for the DC Cinematic Universe.
The score features not only Danny Elfman’s Batman theme from the 1989 film, but John Williams’ Superman theme! Elfman himself is on scoring duties, and he combines these classics with the Hans Zimmer themes that dominated the DCCU so far. And that mish-mash is a good example of the mutated film that made it to screens.
But here’s the thing: I enjoyed this a lot more than expected. Whilst I didn’t hate Batman v Superman or Man of Steel, this film feels a lot more like the DC comics I read as a teenager. It’s entertaining, filled with amusing banter and some excellent action scenes. Whilst the chaos behind the scenes is apparent, it never overwhelms the finished product like in Suicide Squad. And I should be clear: though I think I could go through scene by scene and put moments in the Snyder or Whedon column, I may well be wrong. After all, many critics who pointed out the Spielberg versus Kubrick elements of A.I. Artificial Intelligence turned out to be wrong…
I don’t think this film does justice – ahem – to Jason Momoa’s Aquaman. We’ll have to wait until his solo entry before we see if his take on the character is going to succeed. Ray Fisher was the big surprise though.
The edit has had all the fat trimmed off. Seriously, there isn’t a second to waste in this two-hour film. And that also made for a pleasant change. Instead of a bloated mess, we got an efficient, light-weight popcorn adventure…
…which is bizarrely what I’ve been criticising Marvel about recently. So take all of this with a grain of salt. To lay my biases bare: I’m sick of Marvel’s safely middle-of-the-road output, undermining every dramatic beat with a joke, and I’ve always enjoyed DC comics more than Marvel ones.
At the end of the day, Justice League is not the unmitigated triumph that Wonder Woman was. But nor is it the mess that was Suicide Squad. We may never know if Snyder’s original vision would have been a good film, but this is one of the best last-minute re-edits that I’ve seen.